Duplicity Game Mods (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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duplicitymemes2020-05-12 10:04 pm
duplicitymods) wrote in duplicitymemes2020-05-12 10:04 pm
Entry tags:
TDM #12
« « « TEST DRIVE MEME » » »
It's discouraging to think how many people are shocked by honesty and how few by deceit. Yet, solace is found in the lies we tell each other, comforted by the peace of knowing that we're not alone in our depravity, and once on this path, sin itself becomes the lesser of two evils masked in a cloud of normalcy. This is how Duplicity has functioned since the beginning. The divide of power and social standing is overt in that Dominants influence the decisions made both publicly and privately while Submissives cater to the rules presented to them. It is the way of Duplicity to assign random designations at birth with no leeway in altering what has been given. Climate in the Up is far stricter than that of the Down; violating outlined personas for a Dominant or Submissive while in full view of others is punished by degree of infraction. In the Down, many tend to turn a blind eye to these sorts of offenses. To counteract the discovery of the Deceit Gene – a natural "negative" response to all stimuli – the L.I.E.S. program was founded. The program had been designed to introduce new subjects to the current environment and test for the Deceit Gene through immersion in Duplicity's standing society. Sexual impulses and encounters increase the chances of detecting the gene within these individuals. Participants are typically released from L.I.E.S. after a year; however, results have remained unsatisfactory and testing still continues. ... and you’re here! Finally! Welcome to Duplicity. After choosing a door and stepping through to the other side, the first thing that greets you are the enthusiastic faces of people in medical scrubs and pristine lab coats. Their enthusiasm translates to eagerness as they strip you of your clothes to perform a thorough examination—you will be healed, bathed, and given a paper gown to wear until your items can be processed and delivered to your residence later in the evening. You are also given a device that accesses the network as well as the time and location of orientation. If you enter Duplicity into the Up, congratulations! You’re a Dominant, which means you are immediately picked up by a limo after processing and taken to your highrise. Here, it is two Dominants per floor with separate apartments. If you enter Duplicity into the Down, congratulations! You’re a Submissive, which means you are directed towards public transportation with the address of the motel you’ll be living in. Here, it is two Submissives per room with a shared common space for all rooms. Enjoy your free time until orientation! Participation is mandatory by all new and old arrivals. The weather is a windy 69 degrees. |
 It's time for the monthly Duplicity train tour. Seats are in pairs and randomly assigned to Dominants and Submissives alike. Traveling from Fiddler's Square, the train journeys through various parts of the Up, showcasing society and examples of lifestyle. Along the way, frequent stops are made; a variety of passengers can be seen exiting and entering the doors. A Dominant with a kneeling Submissive takes a seat near the front of the train at one stop. A small group of Submissives board and sit closer to the LIERS at another, all seemingly content in their roles. As the tour continues through the Up, the train passes close to the Market and White Wall Bridge and zips by North Park before heading into the Down and bypassing Red Wall Bridge and South Park. The train makes a "final" stop at Riddler's Square, where inhabitants of the Down are instructed to return to their temporary housing. Those who live in the Up are permitted to stay on the train and revisit the same locations while returning. CAUTION On the second day that new arrivals have been in the city, the train will derail due to a malfunction in the computer systems. Anyone on board at the time, Noon, could be injured, stuck, or killed. Emergency services will light up asking for immediate assistance. |
 Two of Duplicity’s largest film production companies are out to recruit new, exciting talent. With the warring success of Subliminal, Sublingual, Sublime and You Scratch My Back, I Claw Yours, they have the influence and the funds to go big. They have reached out to the LIEs program for help with the idea that inclusion in local culture will make incoming LIErs more compliant, not to mention bring fresh blood into the industry. Orientation is just a little different this month. Welcome to the casting couch, LIErs and those unlucky graduates of the program mistakenly sent notice of mandatory attendance, or else… Not everyone has what it takes to be a star. Both Domination Station Films and Studio Hott are in need of plenty of extras to fill in the background of their newest productions. After an initial sorting in the lobby of the newly refurbished Orientation center, some newcomers, LIErs, and graduates are hustled into a quick and dirty costume fitting. The costumes aren’t as nice or detailed as those for potential stars and may be safety pinned in awkward places. Makeup is cheap and sometimes gaudy. It gets the job done. You may not have a speaking role. It doesn’t mean you’re any less important, so get comfy on the furniture or in the pool and get busy promoting the Dominant/submissive culture that drives Duplicity’s society. Unsure of how to act? Better listen closely to the director. There are shock collars and bracelets to “encourage” the unwilling, and the camera will keep rolling until the scene is right. Scenes may be sexually explicit or merely instructive, such as proper seating and kneeling, feeding and serving of Dominants, and keeping a respectful distance in walking. Extras fill any and all roles required by the director for that realistic setting feel. If you are a Dominant extra, be sure to claim elevated seating and show a firm hand toward any submissives cast as your partner. If you’re submissive, it’s the ground or floor for you, depending on where the scene is set. Be attentive to your Dominant’s needs. It’s OK to talk, as long as you keep it down. Anything you say will be taken out in post. Craft services has just what it takes to set the mood. Stop by for a drink or snack. Soon enough those pesky inhibitions will be a thing of the past. (Some, but not all, of the food and drink contains mid to high level aphro effects. The film companies are taking no chances. The scene doesn’t call for intimacy? Good luck keeping your hands to yourself. You may be in for a shocking experience. Repeatedly.) |
 You’ve caught the eye of the studio. You’re ushered into a small room to wait your turn. Whether you’re new to the city or not, you find yourself paired with someone for a screen test. Do they want you for Hungry Hearts or It’s in the Pizza? Read your lines convincingly, make some chemistry with your partner, and you could see your name and other things in lights very soon. Don’t worry if the dialog is cheesy. It’s part of the charm. Having trouble getting into your part? There are costumes hanging on a rack. Try one on. You may find the experience transformative, as though you were made for your role, or it was made for you… (Costumes may or may not affect the personality of the wearer. Those that do will make it much easier to get into character and greatly lower inhibitions when it comes to the more demanding scenes.) Be aware that any sexually explicit scenes will only be filmed between a Dom and a sub, or a Dom and multiple subs. If you are a Dom cast in the scene with another Dom, it will be gen only. (We’re assuming you’ve seen a porn or two, or at least a parody. Go crazy on the cheesy dialog and stupid set-ups. It’s just pretend, right?) |
 Some people just aren’t meant for film. If you don’t catch the eye of any of the studio reps, you are recruited to work on set building and painting, helping dress extras or potential stars, or providing that extra stimulation to keep them going between scenes. Individuals who complain too much about the circumstance may find themselves assigned to the more unfortunate jobs. Somebody needs to clean up those sets after they’re finished. (Just put your role in your top level if there’s something specific you have in mind you’d like to play out, like “set building” or “fluffer.” We won’t judge.) |
Please read carefully. On each Test Drive Meme, there will be a section noting character roles; these will vary each TDM. On an IC level, characters will still have gone through the doors but assignments OOCly are still randomized. When applying, there is a section of the application that denotes whether the character chooses "left" or "right". When participating on the TDM, there will be a third option. Players may link either a top level or a thread (five or more comments from their character) from the TDM and title the link as "Door Pass". This means that the player is choosing to take the designation that they were randomly assigned on the TDM, rather than taking the designation of a door. If the player decides to select a door rather than use the pass, then they are trying their luck; they may get the same designation they had on the TDM or the opposite. Once the application is submitted, players can't change their choice. To assign roles to characters for this TDM, use the following guide: There's a table with items on it. Your character selects one. If they chose the jar of pickles or ballpoint pen they are a Submissive and if they chose a clothespin or mini baguette they are a Dominant. Please remember to mark any necessary content, and have fun!! |
Caroline Forbes | TVD | Dominant - CRAU from her last time here
« « « SUPPRESSION OF GLEE
BELLY UP TO THE BAR » » »
« « « WILDCARD
« « « SUPPRESSION OF GLEE
He'd stopped by Riddler's Square to see if anybody else had arrived. First Caroline's daughters - grown into teenagers, and then Hope, Klaus and Hayley's kid.
Who else?
Damon doesn't get an answer because in an instant, there's pandemonium.
Setting down his bags - which will probably be stolen, he is in the down, he enters the fray, climbing into the train car. He smells the overwhelming stench of blood, hears the screams of agony and the cacophony of panic. Taking someone he doesn't recognize under his arms, he turns to pull them out of the overturned car and spots someone familiar, someone he'd spoken of very fondly. Someone he misses. And trusts. And someone, who one day might marry his brother. )
Caroline!
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Staring in shock at the familiar face for half a second, any emotions she might have in any other circumstance washes away. She'd just dragged someone out when he's pulling someone else out, only stopping to check for a pulse before frowning and standing up to move towards Damon. ]
I don't know-- I don't know what happened.
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The train crashed. ( It jumped the track. ) You're in Riddler's Square. You're okay?
( Nothing wooden is piercing your body? He does inspect what he can see with his own eyes just in case. )
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I'm fine. I'll be fine.
[ Wiping her arm on whatever section of clean clothing she can find, she bites her wrist and shoves it into the mouth of the guy Damon had rescued. She won't be able to do this too many times, so she's been trying to save it for whoever needs it most. ]
Do the trains normally crash or am I just a bad luck magnet?
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( Damon props his victim up, as color returns to his cheeks and air returns to his lungs. He comes to life, looking back at Damon, then Caroline. After asking if he can walk, the guy nods and Damon lets him stand on his own. He tells him to go on, get to safety.
Turning back to Caroline... in the midst of chaos. )
If you're a bad luck magnet, I don't know what that makes me. I don't know if you've seen, but, your kids are here, too. Both girls. All grown up and -- spoilering in my spoiler.
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Yeah, I was able to find both of them yesterday. It's -- they were toddlers back home. [ Small enough for her to still be able to pick up and hold. Whispering that everything was going to be okay now didn't hold the same power. There was so much she couldn't protect either of them from and it was a level of stressful she wasn't ready to face.
Giving him a confused look as she frees another trapped person. ]
What spoiler, Damon?
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But, he reminds himself. There could be a million Caroline's. And Elijah's... who's shacked up with Kyle...
As it is, he crouches down to check someone's pulse. )
Living, Caroline. They're living -- with a lot of other kids who are also living. In my house. In the Boarding House. ( He helps this person up. She cries out. He needs to relocate her shoulder so - just wait for an additional, crack of her soldier popping back into place. He makes sure she's good and gives her a base so she can climb on out. ) Turned... supernatural school.
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[ That's what she's holding onto. A little flicker of optimism in a very dark time. It keeps her moving, keeps her upright when all she'd love to do is just lay down for a little bit and hide from the world. And who knows, after this debacle of a train ride? She just might. Seems safer. Especially when everything back home was out of her control right now. She could only wait and believe that it'll work out. That Tyler will be the only one they lose in this mess. ]
Stefan was putting together a room for the girls at the house before-- [ Nope. She doesn't finish that sentence, instead picking someone else up and ushering them towards the path out of the train and into the waiting hands of someone else who'd stopped to help. ]
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( No thanks to him, or to Cade. But, they're returned. He turns back to face her though, watches Caroline take action again and moves to someone under a few bags, crouching down. )
Seline?
( Is that what this is about? Is it after that? He doesn't know. He doesn't know whose timeline is what until he asks. )
TEXT MISFIRE » » »
I wouldn't let go of horrific hallucination yet, but I've never been a part of one that's lasted this long. Or, at all.
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[ So sorry wrong number. ]
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Also who is this, btw? Since I think I texted the wrong number.
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« « « SUPPRESSION OF GLEE
when the woman finds him, he is confused.
Caleb groans as she presses her wrist to his mouth, mind spinning, head aching. He feels a trickle of blood coming down his face and as he flicks his eyes open, the tang of blood in his mouth, and sees what she was doing, he barely can make out her words for the wringing in his ears.
But something in her eyes... it reminds him of Dolores, when he meets her and he relaxes, letting her press the blood into his mouth and grimacing as he sucks on her wrist. He chokes on it for a moment, but then lets himself swallow it, eyes on hers, and full of questions until she stops.
When the wrist is no longer on his mouth, he blinks and swallows again and speaks. ]
What... why am I drinking your blood?
THEY LIED IN EVERY WORD
Not a vibrant hallucination, no. You remember being here before, Caroline? I can't imagine why they've taken up so absurd a mantle as to be on a mission to continuously bring you back. [ Well, it's been twice, that he knows of. But. Details. ]
Can I meet with you? [ One of the only people he's actually polite to, who he asks for consent in terms of his mere presence.
Truth be told, he's had a few dark moments in the city, and he knows Caroline was around for one of those stints. He'd rather she forget all about it...but when has luck favored their kind? ]
[ ooc: when she was here before, I know we'd plotted a thing where he'd compelled her to do be his partner in crime during an event -- it wasn't played out (my fault, my apologies!!) so feel free to ignore that last introspective comment if you'd rather it just not have happened at all :3 excited at the chance to play with her again!! ]
BELLY UP TO THE BAR » » »
Trying to find a seat at the bar, he is startled to find a very familiar blonde. It's been a while since he's seen her-- as his timeline is from much before hers. He heard that she was here a time ago, and so he's surprised to see that she's back. He can't help but wander up to her side.
"In all the bars, in all the places. I did not expect to meet you here tonight, Caroline Forbes."
un: gwenzelle
pretty sure this message didn't get where it's supposed to go, but that's okay.
i'm gwen.
i'd welcome you back, but it sounds like you already know exactly the kind of mess you just stepped into.
returned to?